The page is available in crude here <----
Then a message:
To track a little "making of" page:
I had a clear idea of my page then I attack line postures. (This is the most important in a page, the scenery is secondary.) As I am ** ch r to position my characters I draw from the start without worrying about anything: I will ascend the plank after photoshop . The idea here is to draw directly to nab attitudes. Because I'm not good at this, so I need to do a lot of drawings.
After I ride it to the aid of Photoshop. This is convenient because it allows to be rigorous enough on the placement of Me ', composition, etc. ...
Often I use the stupid rule of thirds to compose an image. I compose my images like that. The longer it goes the more I find that good design is a good composition and that's that! Bd
For this phase, I think, is the most important. This is not to draw the boxes is to compose his page and tell it well: the narration.
page so I printed up on photoshop and I began to draw more accurately. In fact the idea is to reach the masses. Hence the line in marker, for example: to see if it works. Must it is simple. I find increasingly that the views in all animals up (without looking for dive-cons ... etc.) is roughly efficient ... David Prudhomme it is hard for this. Blain also ...
Stylon ... The course pushed too far. It betrayed my lack of confidence.
That's life ...
I still tried to simplify my sketch in the future. I'll try to focus more on the phases of preparation and implemented.
Then view a video on the circle and the board.
The circle is simple just think it fits in square. It is sufficient to make a square in perspective for a circle.
And the checkerboard is the principle of repeating a pattern that is interesting here: then make windows, colonnades, etc. ...
The trick to good dip with the prospect that he should never be a slave: above all, never start a drawing with lines to the rule ... etc. First built in hands, roughly, and then corrected with the prospect (eventually).
Besides, remember, you do not have the perspective to know to make comics.
Et puis aussi l'exemple d'un petit décor .Alors attention c'est juste pour montrer comment (il me semble) on peut commencer un décor en perspective.(Comme dit plus haut on est parfaitement libre de ne pas utiliser la perspective etc...) Mais voilà : si on souhaite vraiment tracer ses lignes de fuites etc... il vaut mieux commencer par CONSTRUIRE son dessin et seulement ensuite tracer ses lignes de fuites (à la règle ou à main levée selon son style réaliste ou moins) - Là j'ai tracé un décor au feutre pour mieux voir car les vidéo sont pas mal écrasées sur YouTube.C'est TRES grossier et vite fait . Mais le but c'est pas de montrer comment je dessine but the basic principle: To build and then put into perspective. (The true rule is Build / proportioning / put into perspective in order. But in fact it all fits together a bit.) So do not start the rule etc ... to avoid a result too artificial. Pencil drawing you build slowly and then you fix using perspective. Ideally we always constructs a drawing from general to specific: the same for a comic strip. (Just a board eh)
It seems good, too, get used to trace its creepage freehand without rules. The nature, reality is never as strict a straight line. The prospect never as straight.
Finally some Posemaniacs in 60 seconds.
(useful for warming up)
