Monday, December 6, 2010

I Will Wait For You If It Takes Forever Am7

Dates for classes in January to May 2011




Workshops in acrylic or oil

With live models.

ALL LEVELS

CHOICE one or two days.

January 21-22

18-19 February

March 11-12

15-16 April

May 13-14

Possible gift certificate

Possibility of Gift certificate.

for info:

Jacques Clement

514 288 9862

Sunday, November 28, 2010

License A Boat Trailer In Ontario

Place des Vosges

Place des Vosges is one jewels of the Marais. Built of brick and stone as the Place Dauphine on the Ile de la Cité, it has the great advantage over the latter have been preserved in its integrity.

In 1604, Henri IV sponsoring the installation of a manufacture of silk, gold and money "in the style of the Milanese" in the old park Tournelles. It provides grants, titles of nobility and wealthy merchants to six benefits to Italian artisans invited for the occasion. Land north of the factory and are built twelve houses for housing artisans. A year later, King complete the project by deciding to establish before the royal manufactures a vast square, the Place des Vosges today and he hopes it can serve as a promenade for the inhabitants of the city. Nine identical houses covered with slate are then aligned on all three sides, length of 140 meters. At the center of the south side, the flag of the King, by its size and decoration, marks the main entrance of this place. It occupies a symbolic number of the place and is specially built for the sovereign, as evidenced by the central medallion which appears above his head and the size of the building, which greatly exceeds that of other flags. The king wants to assert its authority after the long years of religious wars and the Place Royale exemplifies this commitment to affirmation of monarchical power.

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Les pavillons à two floors, equipped with a shop on the ground floor open onto a covered shopping mall. At the time, the arcade on the ground floor around the place offers the walker a convenient shelter and a wide choice of shops. The central area, flat and sandy, is affected Equestrian Games which take place there since the fourteenth century. On the location of the factory was destroyed in 1607, eight new buildings are built and the roof of the Queen.

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Henri IV has no time have the project fully completed since May 14, 1610, while her coach is slowed by traffic in the Ironworks he is assailed by a devout Catholic named Ravaillac which carries two knives. The eighteenth attempt to assassinate the king has finally succeeded. The square was inaugurated in 1612 at the double wedding of Louis XIII with Anne of Austria and Elisabeth of France, sister of the king, with the Infante Philip, later Philip IV of Spain. During three days of celebrations are held on the place with military parades, races, rings, music, songs, shows, fireworks and carousel.
Place Royale is radically transformed by the erection of the equestrian statue of Louis XIII in 1639 and the creation of a private garden surrounded by a gate forged in 1685. Dedicated to the original craftsmanship of luxury, walk to games and noble, this place becomes an aristocratic residential city, the chic place par excellence.

The place bore the name space Royal until the Revolution (1789). After the fall of the monarchy, it was renamed Federated place then instead of the indivisibility. In 1800, Lucien Bonaparte, Minister of the Interior, decided to give the place the name of the department who will have first settled the bulk of taxes. This is one of the Vosges which was well rewarded.
After the Revolution, famous writers and artists choose to live in hotels deserted by the nobility. Victor Hugo spent sixteen years of his life in an apartment on the second floor of the Hotel de Rohan-Guemenee (6, place des Vosges). The site has become since 1902 a museum dedicated to Victor Hugo.

For more information:
Educational Video (19 minutes after a short advertisement)

Sunday, November 14, 2010

Wisdom Tooth Pain More Condition_symptoms



A "ship" in the heart of Paris? A gigantic "refinery" in the heart of the Marais? No doubt, this is the Centre Georges Pompidou


In early 1977, local residents and passers-by gaze stunned the Centre Georges Pompidou. The reactions are very strong and since the Eiffel Tower, no monument had generated so much controversy. It must be said that the building is at least disconcerting: a gigantic block of ornate fireplaces and metal tube painted in bright colors, a maze of plastic and glass that could be mistaken for scaffolding. Despite critics, enraged to see the old historic center of the city what they called a "gas plant" or a "warehouse of art", the public press in the first exhibition of the Centre, devoted to Marcel Duchamp. Since then, the Centre's success has never wavered since welcomes an average 25,000 visitors per day (5 times more than had been expected), allowing a true démocratisation de l’art et de la culture.


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In 1969, Georges Pompidou, passionate contemporary art, had the idea to create a huge cultural space in the heart of Paris, Beaubourg. "I would passionately that Paris has a cultural center that is both a museum and a center of creation." With these words uttered in 1969, the President of the Republic sets the stage for a major international competition to build the Centre. Over 650 projects will be reviewed. The project by Renzo Piano and Richard Rogers will win this competition in 1971. It comes in the form of a gigantic parallelepiped 166 meters long, 60 meters wide and 42 meters high. Very innovative in its design, the Centre finally opens its doors December 31, 1977.


Two main lines are the essence of the project.
one hand, the two architects chose not to use all the land available to create a square whose animation complement the activities proposed by the Centre. Instead, gently sloping, is the element that gives meaning to the building by anchoring it into the urban fabric. Indeed, it is because this place is frequented by strollers and invested by musicians, jugglers or mimes me that the building belongs to the city.
other hand, the architects have strongly preferred the interior space. Each level of the building includes a plate of 7500 square meters. Stairs, elevators, escalators and all the vents and power were pushed out in front. The color beams and ducts is their function: blue for air conditioning, green for fluids, red and yellow for transport and electricity. Facing the square, a large escalator runs diagonally in a glass tube surrounded by arches. In rejecting all service facilities and traffic to the outside, Rogers and Piano received within a space completely continuous we can use as desired. The Centre includes five rectangular plates of 175 meters long and 50 meters wide, equivalent to two football fields, piled one upon the other, including two at the National Museum of Modern Art.


Centre Pompidou - Beaubourg

The Centre is one of the most visited sites in Paris ... by the Parisians. This unique place in the multidisciplinary approach brings together a huge library (BPI nearly 400,000 documents of any type), the National Museum of Modern Art (60,000 works), the Institute of Musical Research (IRCAM) in cinemas and entertainment, restaurant, bookstores. The Center organizes exhibitions continuous time, performances, symposia, seminars and many activities for children.

For more information: Centre Pompidou


http://www.centrepompidou.fr/Pompidou/Accueil.nsf/Document/HomePage?OpenDocument&L=1&sessionM=1&L = 1

Virtual Tour of the Centre Pompidou
http://www.centrepompidou.fr/Pompidou/Communication.nsf/0/D8A04006C256531CC1256DE5005A5324?OpenDocument&sessionM=3.4.2&L=1

Center Acoustic Research and Coordination / music
http://www.ircam.fr/

history, architecture and organization of the Centre Pompidou
http://fr.wikipedia.org/wiki/Centre_national_d 'art_et_de_culture_Georges Pompidou

Friday, November 12, 2010

Pregnancy More Early Condition_symptoms

Page 129. END



To espantich splup Swart year earlier blak: Click here! <----

To dolmartko und brutass mexidor: Click here! <----

Merki ...



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Here, Here ....

Thanks for stopping by!
and goodbye for new adventures!
THE BLOG IS CLOSED!

I leave the comments open.

Goodbye.

Thursday, October 21, 2010

Electric Skylight Openers

CORPUS 2011 BARE / NUDES


Friday, October 15, 2010

Wooden Swing Set Blue Prints

BASTILLE CENTRE POMPIDOU

THE PLACE OF THE BASTILLE
Place de la Bastille was named after the fortress de la Bastille, which occupied the fourteenth to the eighteenth century its western end. Pavers inlaid on the floor allow the curious to know its exact location.

Bastille, or Bastille Saint-Antoine, was a fortified building whose foundation stone was laid in 1370. Originally, it was only by a door from the wall of Charles V, flanked by two towers. Over time, it becomes a massive building along 68 meters wide, 37 and top 24. It is an arsenal, protected by cannons placed on the terrace. From 1670, the Bastille loses its defensive function but remains a prison.
In 1789, the Bastille contained only seven prisoners. On 14 July, the revolutionaries marched on the Bastille in possession of some 32,000 rifles they seized the Invalides. They massacred the garrison and prison. From July 15, the entrepreneur Pierre-François Palloy mobilizes a team of 700 workers to demolish the Bastille, without having received any official permission, the construction will last until April 1791. Palloy recycled materials up to the fortress, sells a lot for the construction of buildings in Paris and manufactures a range of products: metal keys, the lines, boxes, medals, paperweights, seals etc ....



The storming of the Bastille



The French Revolution - It is a revolution


In 1792 there are plans to erect a memorial building at the site of the former Bastille. We think first of all an obelisk which was engraved with the Declaration of Human Rights. Then a second proposal, a column of Liberty initiative Palloy, does not materialize for lack of funds. In contrast, a fountain there born in 1793 in homage to Nature, personified by a woman who pours water from her breasts.
In 1808, Napoleon decided to erect a bronze fountain in the shape of an elephant. At a height of 24 m. To assess what effect such a fountain, a plaster model is installed before the current Opera and the model deteriorates and is rapidly destroyed in 1846. The fall of Napoleon the cancellation of the project.

Occurs in 1830 a new revolution, which lasts three days. The 27,28 and 29 July, the people of Paris rebelled against the orders of Charles X: What are the Three Glorious Days, which are a thousand deaths among insurgents. The House of Deputies then took the initiative to erect, place de la Bastille, a monument in homage to these victims. This will be the July column we can still admire.
A long rod of 47 m. high, with 5 bronze drums which are superimposed the names of the 504 deaths recorded in letters of gold. On April 28, 1840, the building was opened and the corpses were buried in 1830 in two underground vaults, located beneath the base of the column. Overlooking the column, the Spirit of Liberty statue in bronze gilt top 5 m, the Genie is the right hand "the torch of civilization" and left hand "broken chain of despotism"

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For more information:

OPERA BASTILLE
In 1982, President François Mitterrand wants to create a new opera in Paris. The site chosen was the old station of the Bastille which formerly served the suburbs and was decommissioned in 1969, following the commissioning of the RER. 756 projects were presented at an international competition, the winner is Carlos Ott, a Uruguayan-born Canadian architect. The President inaugurates the Opera July 13, 1989 for the bicentennial of the French Revolution. Its facade is transparent, semi-circular shape is inspired by the profile of the column of July, as well as its height, 50 meters as the column. The first program was shown, March 17, 1990, "Les Troyens" by Hector Berlioz, inspired by the poem "The Aeneid" of Virgil

http://www.wat.tv/video/opera-bastille 1swra_2inpn_.html-


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Opera Bastille is a behemoth: 22 000 m² of ground area, 160,000 sq ft total spread over several floors up a vertical scale of 80 m. including 30 m under the street level. To get an idea is more than all of the Louvre museum, however, already vast. The sumptuous 1200 sq ft room that can seat 2703 opera lovers only 5% of the volume of the building. The rest is devoted to the so-called stage devices, an amphitheater of 700 m² (450 seats) and a studio to 280 sq ft (237 seats). The Bastille Opera took the place of the greatest opera of the world ahead of the Tokyo and Sydney. The immensity of the building due to the meeting in one place, for the first time ever, all the craftsmen needed to carry out an opera: 74 trades are working, the shoemaker to hairdresser the painter in electronics. All designs are developed and stored.
For a virtual tour with commentary
http://www.operadeparis.fr/cns11/live/onp/L_Opera/Opera_Bastille/visite_virtuelle.php?&lang=fr

Read (Much)
http://www.e-voyageur.com/paris/monument/opera-bastille.htm

The Faubourg Saint-Antoine
The Faubourg Saint-Antoine is the heart historic craft. Artisans and laborers were freed from the Corporations, who exercised control over the various trades until their abolition in 1791. So they escaped from the obligation to present masterpieces for the control and the inspectorates. The first to settle in suburb are shoemakers and textile professionals: cloth workers, tailors and trimmings. Very quickly, the craftsmen and join them. In the seventeenth century, carpenters use a rare essence, ebony, which gives its name to their profession, cabinetmakers. It lists 1,336 craftsmen in the suburb from 1635 to 1716. The progressive refinement of the furniture leads to the appearance of diverse professions: sculptors, spin doctors, varnishing, tabletiers, porcelain, etc. ... Boilermakers.
buildings built along the streets of the Faubourg Saint-Antoine de Charenton, Charonne Lappe and home to the large population living and working under the same roof. Artisanal and industrial courses are furnished, and passages making the junction with the main streets.
Long, long, rue du Faubourg Saint-Antoine leads to the Place de la Nation. Maintaining a huge working class suburb provides the biggest battalions all popular revolts: Bastille Day, Three Glorious 1830, riots against the Louis-Philippe in 1832, revolution of 1848, resistance to the coup of the future Napoleon III and, of course, the Commune. No wonder that the workers' demonstrations borrow traditional route Bastille-Nation-Republic.
Construction barricade in the Faubourg Saint-Antoine in 1870.

Since the late twentieth century with the decline of the craft of furniture, these courses picturesque, deserted by workers, have gradually gentrified and have been converted into apartments or lofts favored by savvy.

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For more information:
http://www.paris-pittoresque.com/rues/201.htm
http://fr.wikipedia.org/wiki/Rue_du_Faubourg-Saint-Antoine

Friday, October 8, 2010

Vancouver Aggressive Skates

page 128.



The page NB: CLICK THE <-- MON POTE !

page in gross CLICK THE <-- MA POTESSE!

The sketch: (You can click on it in a moment of madness)


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Vala ... Vala!

Thanks for the visit.

Sunday, September 19, 2010

Computer Pain Right Shoulder

Landscapes / landscapes


Saturday, September 4, 2010

Pain During Ovulation More Condition_symptoms

CANAL SAINT MARTIN LE PONT DES ARTS

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Long 4.5 km, over 2 km underground, it links the Bassin de la Villette to the Seine with a drop of twenty-five yards. Inaugurated in 1825 the Canal Saint-Martin has 9 locks and two swing bridges. It is open to shipping 363 days a year. The atmosphere of this waterway lined with chestnut and plane trees more than a century, punctuated by bridges and locks, made the Canal Saint-Martin a strong point of tourism in Paris.
Today, commercial traffic that was his uniqueness has declined dramatically, giving way to a tourist very important, especially related to transport boats to tourists but also for pleasure boats that individual can be seen moored in port the Arsenal.

Origins.
In the eighteenth century designing a river system avoiding navigational loop of the Seine navigable dificult during floods and winter which would also deliver food, water and raw materials to Paris. Channels Saint-Denis and Saint-Martin are the two branches of this network. Decided by Bonaparte in 1802, construction was completed in 1821 and 1825.
The Canal Saint-Martin, which has reigned for over a century an essential commercial traffic in Paris, has almost disappeared in 1950-1960 in favor of a 4 lane highway. The active engagement of its residents was fortunately rescued. Suddenly, the Parisians have rediscovered the channel, its nine locks, its banks planted with trees, tiny squares, bridges, metal or rotating the Venetian, its bodies of water sometimes higher than the roadway itself, making up one of the most picturesque landscapes of the capital.
A bit of history.
The construction of the Canal Saint-Martin began in 1805 by its two ends (the port of Arsenal and the Bassin de la Villette), but was not completed until 1825 because of the difficulty of insert such a work in a site already highly urbanized. The oldest parts are below the deck of the Boulevard Morland and the vaults of the Bastille.
Between 1835 and 1850, thirty industrial firms, driven from the city center by the legislation applied to unhealthy industries, are moving into the adjacent canal. Along the canal side by side while warehouses, mills, glassworks, cotton mills, furniture factories, industrial engineering, metallurgy etc. ... heavy. The canal allowed both the raw material supply and delivery of consumer goods. Dozens of barges carrying any daily kind of products, locks actuate by hand.
Today, killed by road transport, the channel sees only two or three barges per day.
Under Napoleon III, the famous Haussmann prefect wants to create Boulevard Prince Eugene (now Boulevard Voltaire), but it clashes with the presence of the canal that would require the construction of a movable bridge, something unacceptable for a great way intended to accommodate heavy traffic. The engineer Belgrand managed to solve the problem by lowering the channel between the Bastille and rue du Faubourg du Temple about five meters to to build a fixed bridge for crossing the new boulevard.
As the deepening of the channel has created a trench that eliminated all ports, the prefect Haussmann decides to complete the transaction by the coverage of the channel through an arch between the Bastille and Avenue of the Republic , creating the Boulevard Richard-Lenoir. The entire operation is carried out between 1860 and 1862. In 1906, the roofing of the Canal Saint-Martin resumed. A new vault, the Temple, was built as an extension of the vault Richard-Lenoir. Thus was born the boulevard Jules Ferry.
portion remained open was rebuilt in 1890 and refurbished in 1999 and 2002. The two bridges (Grange aux Belles and God) have replaced the old wooden structures. The famous bridges date from the late nineteenth century.

The Canal Saint-Martin has inspired many artists.
Among them, the painter Alfred Sisley (The Canal Saint-Martin, 1872, oil on canvas)


And filmmakers ...
Marcel Carne (Hotel du Nord, 1938)





or Jean-Pierre Jeunet (The Fabulous Destiny of Amelie Poulain, 2001)


Amelie - presentation


For more information:
http://fr.wikipedia.org/wiki/Canal_Saint-Martin

http://www.a-paris.net/A-paris-canal-paris.htm

Monday, July 12, 2010

Hypertension Condition_symptoms



The Pont des Arts (Arts or gateway) is a bridge linking the Institute of France and the courtyard of the Palais du Louvre. The Pont des Arts is listed monument since March 17, 1975.

Servant sometimes as an exhibition, today is a place attracting painters, illustrators and photographers for his unique perspective on the Louvre, the Pont-Neuf, the Palais de Justice the arrow in Sainte-Chapelle and the towers of Notre-Dame de Paris. In the evening, the Pont des Arts has become a meeting place for sharing privileged Parisians who gather on the sunny hours for picnics and other aperitifs end of day prior to party until late at night (is not it Delphine?). The Pont des Arts is a destination in itself and not simply a convenient way to cross the Seine.

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The Pont des Arts has inspired many artists. Among them ...
Famous Georges Brassens whose song "The Wind" begins with the words: "If by chance on the Pont des Arts" ...


Or Benedict Bizarre


Television advertising for perfume Trésor by Lancôme, conducted by Peter Lindbergh, features Kate Winslet on the Pont des Arts.


Many couples around the world vowing eternal love to have the habit of setting padlock engraved with their names on the deck railing Arts in Paris and the key thrown into the Seine, a mode whose scale is problematic for mayor of Paris. More than 1,600 "love locks" of all sizes adorned the railings of the bridge. The names of the signatories of these locks came from all over the world. In Paris, the influx of these locks has even begun to spill Bridge on the diocese and the Gateway Leopold Senghor.

Believing that this mode raises the question of heritage preservation, "the mayor of Paris said that" ultimately, these locks will be removed. "We are working on an alternative, why not some sort of metal tree that would provide support to these locks," added the mayor.


Michel - Artist on the Pont des Arts


A little history:

By a decree of March 15, 1801, Napoleon Bonaparte decided to build a bridge between the Louvre and the College des Quatre Nations today the Institut de France. This achievement marks the introduction in France of a new building material, iron. It is then the third bridge of its kind in the world after those of Coalbrookdale and Sunderdale England.

Napoleon himself presides over the choice of material and assigned the project to the engineer Louis-Alexandre de Cessart. The decision to build iron is clearly political. It aimed to encourage research and investment in this new material put out by British industry. The selected design is that of a light bridge "for passing off." The plans will then be modified by Jacques Dillon, who replace the cast iron. Started in August 1801, the bridge was inaugurated November 24, 1803. Since the Louvre was then known as Palace of Arts, he was named "Pont des Arts".

Simple pedestrian bridge pier between the right and the left bank of the Seine, bridge, elevated compared to the docks to ensure the template navigation, then consisted of a wooden floor 10 meters wide and nine arches with a span of 18.50 m each resting on piles of masonry. Like most bridges of that era, it was a toll bridge that does not stop him from being immediately adopted by Parisians. The first day open to the public, there were the passage of 64 000 people, then the daily flow has stabilized around 11 000 passers. Very quickly, the Pont des Arts has become a popular promenade. In 1848, the toll of a penny ever.

If the bridge Arts immediately captivated the Parisian population, it has not been the same with Bonaparte lamented the lack of monumentality of the metal structure: "It has no appearance of solidity that bridge is nothing grand, I understand that in England, where stone is scarce, we use the iron for large arcs, but in France, where everything abounds ... " Napoleon's comment about the strength of the bridge proved correct, but ... over a century and a half later! It was indeed closed to the public in 1977 because its structure is too small and weakened by bombing during the two world wars and more damaged by 2 boat accidents in 1961 and 1970. It collapsed in 1979 following a fatal shock with a barge.

In 1982, we begin to rebuild the bridge by taking the look of the original book, but steel and reducing the number of arches, arches 7 instead of 9, so as to align with those of the Pont Neuf. The wood floors, benches and shrubs are trying to recreate the charm of the walk home which is still one of the points of view the most attractive of the capital. On June 27, 1984, the new bridge was inaugurated by the Mayor of Paris Jacques Chirac.

For more information:



Sunday, July 4, 2010

Intestinal Flu More Condition_symptoms

OUR LADY

Notre Dame is 130 meters long, 48 meters wide and 35 meters high on vault. It has 5 naves, 37 chapels, 3 roses and 113 windows. It was built in stages from east to west with some irregularities, eg, the north tower is wider than the south tower, and this difference is explained by the fact that the cathedral during its construction, was the seat of a bishop and only the archiepiscopal cathedral had the privilege of having the towers exactly alike. Paris becomes, in effect, the county seat of an archbishopric in 1622.


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Vers 1163, l'archevêque de Paris, Maurice de Sully, entreprend la construction de la cathédrale Notre-Dame. Le pape Alexandre III pose la première pierre, et, en 1185, la construction de l'église is advanced enough to be able to celebrate the Divine Office. The mass of the building is completed in 1223, but it will take more than a century to complete the countless details of sculpture can still admire the triple gate and triple gallery of its facade, its side gates Its three large stained-glass windows, all those arabesques, these laces, these pillars, the statues, the stone worked to date. We consider that this magnificent building was completed in 1330.
Cathedral retain its unity until the seventeenth century Gothic style. Thereafter it underwent numerous mutilations, especially in 1793 when revolutionaries shoot the arrow, the statues of the 28 niches and statues of the kings of the main facade while draining the interior of all metals that are sent to the mint to be melted. Notre Dame is transformed into a theater dedicated to the worship of Reason. Napoleon Bonaparte restored the worship in the cathedral in 1802 and it is crowned Emperor in 1804. In the early nineteenth century, the success of the Victor Hugo novel "Notre-Dame de Paris" has raised an enormous enthusiasm for the cathedral and promotes its rebirth and its restoration by Viollet-le-Duc between 1845 and 1864.

THE CRANE
The facade, 41 meters wide and dominated by two square towers of 63 meters (387 steps to climb up the towers), consists of three gates giving access to the building. The central portal is dedicated to the Last Judgement, the left to the Virgin and the right to Sainte-Anne. Over the three portals is the Gallery of Kings, which is an architectural innovation as it is not only decorative but also serves as a passage. It consists of 28 arches housing the statues of 4.50 m high, kings of Israel and Judah. They were returned to the nineteenth century by Viollet-le-Duc to replace the original statues that have been abducted and beheaded in 1793 because we believed they represented the kings of France. Some of these heads, which was believed lost forever, were found by chance in 1977, buried in a pit and are now on display at the National Museum of the Middle Ages-Thermes de Cluny.


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The pink, 9'60 feet in diameter, takes up the theme of the Virgin venerated by the prophets, judges, kings and high priests of the Old Testament. Its network includes stone circle in the first twelve rays, an allusion to the twelve apostles, the second circumference is divided into 24 parts, a figure evoking the 24 elders of the Apocalypse.

INSIDE
Interior, 130 meters long, is shaped like a Latin cross and is composed of a wide nave, accompanied by 37 chapels and chancel, separated from the apse by a large gallery chapels. The chorus itself is largely enclosed by a fence, including the exterior offers a range of subjects carved in low relief. The vault is supported by one hundred and twenty columns in the Romanesque style.
Above the aisles unfolds a beautiful ornate gallery of one hundred and eight columns in one piece. This gallery stops at the crossroads. You go up stairs two by three who are at the entry of the nave, and the other to the right of the chancel, near the Lady Chapel. At these forums or galleries are attached, in time of war, the flags taken from the enemy.


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BELLS
In the South Tower is the largest bell of Notre Dame known as the "Bourdon . It tolls for major holidays such as Christmas, Easter, Pentecost, or All Saints and at very large events.
Le Bourdon was melted, there are over 300 years and called Emmanuel by his godfather Louis XIV. It weighs 13 tons and flying, the part inside the bell that beats against the walls to produce sound, is 500 pounds. The handling of this huge mass is extremely simple: two men swinging, one right and one left on a mobile pedal in the middle of a bell tower structure that ensures the isolation of the bell and ensures the building against a dangerous shock. The sound serious, solemn and mournful drone is made by the F sharp.
In the north tower, four bells provide the ringtones daily hours and offices of the cathedral. They weigh between 2,000 and 3,000 pounds each.
bells ringing in their pace of life of the faithful, calling to prayer, marking the solemnity of their offices. Formerly, it also allows all people to know the time, though today everyone has a watch, it still Sand smooth time mean that the cathedral is a place of life.

gargoyles and chimeras
In architecture, gargoyles are sculptured works of drainage of rain roofs, clean to the Romanesque and Gothic especially. They are generally grotesque.
chimeras, such as gargoyles, have the appearance of fantastic animals and scary but they have a purely decorative function, they represent evil creatures, which looked toward the ground, seem to revel in the spectacle turpitude of mankind. The chimeras that adorn the gallery of famous Chimera of Notre Dame do not have a medieval origin. They were designed by Eugène Viollet-le-Duc and are the product of his fertile imagination. They are pure additions incorporated by the architect, probably to emphasize the representation of the mood prevailing in the Middle Ages.


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Notre-Dame, INSPIRATION

Gerard de Nerval (1808-1855)
Notre Dame is very old: you may see the
Paris Burying however she was born;
But in a thousand years , Time will
flinching as a wolf makes a beef carcass that heavy
twist his nerves of iron, and then a dull tooth
sadly devoured his old bones rock!
Many men of all countries on earth
will come to contemplate this ruin austere
Dreamers, and rereading the book of Victor
- Then they will be like the old basilica, and
All it was, powerful and beautiful
Getting up before them like a shadow of death!


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Victor Hugo (1802-1885)

Notre Dame de Paris a novel by French writer Victor Hugo, published in 1831. The title recalls the cathedral of Paris, Notre Dame, which is one of the main sites of the plot of the novel. The novel recounts
the tragic destiny of the Middle Ages a young gypsy girl, Esmeralda, a victim of desire she inspires three men. Coveted by Archdeacon Frollo, it is removed on the order of the deformed bell ringer of Notre Dame, Quasimodo, and then is rescued by the handsome Captain Phoebus falls in love with it. But Frollo jealous stabs Phoebus, and does not intervene when Esmeralda is accused of murder. She is imprisoned, then issued this time by Quasimodo, in love with her, which leads in the inviolable cathedral. The outcasts of the Court of Miracles, worried about his disappearance, assailing the building, and engage, unwittingly, to his worst enemy Esmeralda, Frollo ...

To know more:

Victor Hugo's novel has been adapted several times as a movie musical or comedy.
The oldest of these adaptations is that of 1923, shot by Wallace Worsley.

Many others have followed including that of Jean Delannoy in 1956.


Or, in 1998, the famous musical "Notre-Dame de Paris" by Richard Cocciante and Luc Plamondon.

Saturday, June 26, 2010

Extreme Weight Loss More Condition_symptoms

BOURDELLE

Museum

In the Montparnasse district, the Bourdelle Museum offers a rare example of these workshops artist flourished in the late nineteenth and early twentieth century. Bourdelle settled there in 1885. Born in Montauban, he sought to continue his education and his career as a sculptor Paris. He remained there until his death in 1929. This is where for over 40 years he produced most of his work.

Like Rodin, with whom he was practicing, he thought of his "museum". In the early 30s, Gabriel Cognacq advance the money needed to buy the land without ever asking to be reimbursed to avoid dispersion of Bourdelle's works and a few years later, in 1949 the museum opened. While preserving the authenticity of the places, shops and apartments are still intact, the first expansion in 1961 are made by Henry Gautruche and in 1992 by Christian de Portzamparc.

The museum features more than five hundred plaster, marble and bronze in the shops and gardens where the sculptor lived and worked. Bourdelle was a practitioner of Rodin, the master of Giacometti and Germaine Richier; he allowed Matisse in his workshops at the turn of the century.

The familiar surroundings of the apartment has been faithfully preserved. In the sculpture studio where the artist has shaped his masterpiece, the archer Herakles, the high windows illuminated by light from the north, furniture, casts of ancient sculpture and the great dying Centauri keep the memory of places. Silence invaded the garden of ivy is conducive to meditative fervor emanating bronze statues like that of Sappho.

The Great Hall (1961) built for the centenary of the birth of Bourdelle offers a complete panorama of the monumental work: plastering the Monument to General Alvear, La Madonna Offering of France, the great frieze of the Opera de Marseille and reliefs of the Theatre des Champs-Elysees. This involves organizing a set of plans bare white walls capable of reflecting light, and walls Gray, capable of absorbing and retaining the shadows so to highlight the work of Bourdelle.

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To More:
52-minute video begins with a visit to the actress Catherine Frot Bourdelle Museum.

Biography of Antoine Bourdelle
Born in Montauban Antoine Bourdelle left school early. From age 13, he prefers to help his father in his woodworking shop. In parallel, he studied drawing, and soon noticed, gets a scholarship to the Beaux-Arts in Toulouse. Three years later, he went to Paris and became associate Falguière. In 1885, he is already a prize at the Salon of French artists for its "first victory of Hannibal." After several difficult years - health problems, separation Falguière with the death of his mother - he finds the urge to create, especially under the sign of Beethoven, a figure who will return to repeatedly in his work. Years of artistic maturity is marked by collaboration with Auguste Rodin, who then dominated European sculpture. The orders flooded, including the facade of the Theatre des Champs-Elysees, made in one night, and "Heracles Archer, "exhibited in 1910 at the National Society of Fine Arts alongside the" Bust "of Rodin. The success beyond even the framework of France, being invited to the Venice Biennale. He also teaches his art and forms including dozens of artists including Giacometti, Maillol. Antoine Bourdelle is buried in Montparnasse cemetery.

The specificity of the art of Bourdelle, original and independent artist, is difficult to assess in an era characterized simultaneously influence exerted by Rodin and the powerful reaction not figurative Cubist and abstract, which rejects it. Bourdelle does not seem to have been influenced by his training at the Ecole des Beaux-Arts. The decisive event of his art education was his encounter with Rodin. It is part of his studio for years, performing in marble and stone works of the master key, attentive to what is not confused with the commercial work of practitioners subservient. It remains spiritually close to Rodin, was one of his confidants and a corresponding alert, but it emerged in 1909 from the grip of the master. The art of Bourdelle, uneven, often confusing, based on a traditional concept of sculpture that is shared by all the nineteenth century. This art is limited to the exclusive study of the human figure through it, the artist expresses feelings and passions.

For more information:
http://www.cheminsdememoire.gouv.fr/page/affichegh.php?idGH=401&idLang
http://theses.enc.sorbonne.fr/document1026.html
http://lavieillechouette.com/images/BOURDELLE.pdf
http://fr.wikipedia.org/wiki/Antoine_Bourdelle

Saturday, June 19, 2010

Lambdamoo Database Manual

MUSEUM OF CAROUSEL GARDENS AND TUILERIES THE ROOFS OF PARIS

Jardins du Carrousel

Les Jardins du Carrousel occupy the void left by the disappearance of the Tuileries Palace.

Catherine de Medici, widow of King Henry II, erected a sumptuous palace in the Tuileries, both close and separated from the Louvre which is the royal residence since Francis. The construction of this palace started in 1564 at the site of three tile factories established before the Louvre since 1372. Enlarged under the successive reigns, the palace had a huge front (266 m long) and was the royal residence of many rulers (Henry IV, Louis XIV, Louis XVI or Louis XVIII) and Imperial (Napoleon and Napoleon III).

In the foreground, Chateau des Tuileries and the Tuileries, in the background, the Louvre

burnt by rioters in the Commune of 1871, the palace Tuileries was razed in 1883. By 1872, many petitions and requests were filed for the restoration of the palace, in whole or most of it.

Explanatory Video:

Carrousel gardens consist of two beds that frame the yew bushes radiating from the Arc de Triomphe du Carrousel; they contain 18 statues made by the sculptor Maillol.


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These gardens are named after a memorable parade horse. For 5.6 and 7 June 1662 Louis XIV is organizing a grand carousel to celebrate the birth of his son. After a ride through the streets of Paris, the riders, grouped into quatrains referring to each part of the world, burst on a wide sandy square in front of the Louvre. The king, dressed as a Roman emperor, is hosting the Persians led by Mr. (the eldest brother of the King), The Turks led by the Prince de Conde, the Americans under the thumb of the Duke of Guise and Indians commanded by the Duke Enghien. The sumptuous costumes, made from fabric embroidered with silver and gold, inlaid with precious stones and coral and embellished tiger skins, astonish the spectators. This equestrian ballet remains memorable point forward his name to the square where it occurred.

On this site, Napoleon I must erect a triumphal arch in honor of the Grand Army, victorious at Austerlitz. Copied from the ancient arch of Septimius Severus in Rome, was built from 1806 to 1809. As a culmination, the sculptor Frederic Lemot imagine the emperor standing on a chariot led by the Victory and Peace. Napoleon refused this allegory is harnessed to the chariot and the famous horses of St. Mark before in Venice. After their return to their hometowns, Percier sets up a copy of horses and a figure of the Restoration.


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The Arc de Triomphe du Carrousel is a monumental entrance to the Tuileries Gardens.

Tuileries Gardens

To decorate the Palais des Tuileries, Catherine de Medici is a plot Italianate park. We see the fountains, a maze, a zoo, an aviary and even a cave glazed earthenware decorated with animals. Henry completes an orangery and a silk factory where we raise silkworms, this park is the promenade of fashion: this is the first time a part of nature is dedicated to stylish living, until then confined inside castles and mansions.

Later, in 1664, Colbert (Comptroller General of finnances of Louis XIV) gives the beautification of the park at Le Notre, famous gardener of Louis XIV to whom we owe the development of the park and gardens of Versailles. To catch up the slope, Le Nôtre longitudinal student two terraces of unequal heights. He also created the magnificent view of the aisle, the big dig ponds and landscape beds and ramps horseshoe. Colbert's work is successful if he wants to reserve the park for the royal family, but his chief clerk, Charles Perrault (the famous storyteller) successfully pleads the cause of the public is invited to enter with respect. The large crowd that gets in there major festivals extolling the royal power.

Spatial Tuileries Gardens was completed in 1853 by the construction of the Orangerie in 1861 by the Jeu de Paume.


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Since 1 January 2005, the Tuileries are within the scope of the Grand Louvre. Covering 28 hectares, is the oldest and largest public garden in the city of Paris.


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The Tuileries Garden is full of memories. The vicissitudes of history and major public events have left their footprints in the heart of the alleys and groves: destruction of the palace at the time of the Commune, successive wars - the vegetable garden grew during the Second World War - but also of the Ascension first hydrogen balloons in 1783, the first motor show in 1898 or proof of swords at the Olympics in 1900. Over time, the Tuileries Gardens and was a guarantor of any a legacy, making its green theater joy, madness, misery or honor, as this stops the coffin of Jean-Jacques Rousseau, covered with a sheet full of stars, which floated on the water round basin before entering the Pantheon. Changing their role at the whim of times, but while maintaining their aesthetics, the Tuileries have in turn decorated with a famous royal garden, then walk for aristocrats and worldly audience, before becoming a haven of greenery open to all .



Excerpt from the poem "The Tuileries "Victor Hugo:


... Our two lordships
Go Strolling Tuileries
willingly
And say things
For pink maids
Under the chestnut trees.

Under the shadows green
Ramps
We wander deserted at night,
Water leaking roofs smoke
The chandeliers light up,
In the black castle.

Our soul collects
What
said sheet at the end of the day,
The air sings a gnome. And
Place Vendome,
The sound of the drum. The white statues


enough scantily clad,
discover their breast, And make us
Whose dream signs
swans
On the big pond.


... To find the complete poem ...
http://www.sculfort.fr/articles/litterature/poemes/hugotuileries.html

To learn more about the Tuileries
http:// www.louvre.fr / LLV / museum / promenade.jsp
http://www.louvre.fr/llv/musee/histoire_jardin.jsp
http://www.paris-pittoresque.com/jardins/ 3.htm