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All Montparnasse is a project dating from 1934. The initial idea was to bring the facilities of the old station and those of the Avenue du Maine in one package. In 1958, the idea becomes a big town plan. Begun in 1969, the tower was completed in 1973. Georges Pompidou, President of the Republic at the time, wants to renovate the capital, and equip it with modern infrastructure. The old Gare Montparnasse is moved, what is built in its place the tower. The redevelopment project is vast, since it concerns a total of almost eight hectares. The work of the tower are made in the conduct of four architects. The tower was inaugurated in 1973. The aesthetics of the building does not then unanimously and the realization is the subject of extensive controversy. It now houses mostly offices, and people each day four to five thousand people.

Fifty-nine stories, plus four floors underground, one hundred twenty thousand tons: the book is huge and remains for many years the tallest building in Europe (it is still the highest in France). The Tour Montparnasse is the last building of this height to be built in Paris since 1975, a decree forbids the construction of buildings over seven stories in the capital. Fifty six pillars supporting the tower, piers that sink in over two hundred feet underground. The facades are covered forty thousand square meters of glass. Twenty-five elevators serve floors, including the fastest elevator in Europe, a craft capable of reaching the fifty-sixth floor in less than forty seconds. We can achieve the top three floors by stairs. The roof can be transformed if necessary heliport.

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The Tour Montparnasse is one of the favorite tourist attractions with 600,000 visitors every year. In 38 seconds, the fastest elevator in Europe takes visitors to the 56th floor, 196 meters. Many audiovisual facilities and interactive help to understand and enjoy the view of Paris at 360 º that is available to visitors viewing tables to locate the monuments, historical photography, etc.. A few steps further up the outdoor terrace, the highest in Paris, can enjoy an extraordinary panorama of the city on clear days, the entire topography of Paris is observable up to 40 km.

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Pour en savoir plus:
http://www.tourmontparnasse56.com/fr/
http://fr.wikipedia.org/wiki/Tour_Montparnasse

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MONTPARNASSE TOWER MUSEUM CARNAVALET

Carnavalet Museum is dedicated to the history of Paris, origins to the present. Created in 1868 by the prefect Haussmann, it was inaugurated in 1880. Located in the heart of the historic Marais, just steps from the Place des Vosges, the collections are housed in two mansions of the sixteenth and seventeenth centuries, the hotel and the Hotel Le Peletier de Saint-Fargeau.

Hotel Carnavalet owes its name to that, deformed, a family of Britain to which he belonged in the sixteenth century, Kernevenoy. The Kernevenoy, who had the honor of perpetuating their memory, however, were not the first owners of this beautiful building. It was built around 1550 by Pierre Lescot, for Jacques de Ligneris, president of the parliament, whose son, Theodore, had transferred in 1578 to Françoise de la Baume, widow of François de Carnavalet since 1571.

From that time dating the most beautiful parts of the monument, some of which bear comparison with the finest masterpieces of the Renaissance and have been attributed to the famous sculptor Jean Goujon. In the following century, in 1660, the architect Mansart was responsible for expanding the hotel by building a new facade (except the gate dating from the origin) and raising one floor the other three sides. A few years after Madame de Sevigne coming to live as a tenant has lived there from 1677 until his death in 1696, was preserved in its entirety the show's famous marquee (now Room Prints Library). In the eighteenth century, the Hotel Carnavalet is especially for people living in finance. During the Revolution, the School of Roads and Bridges is installed and remains there until 1830. After her two boys occupy residential. Finally, in 1866, the city of Paris acquired to establish its library and museum of history.

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The library can be considered a model of special library and consists of approximately 80,000 volumes and 600 manuscripts, most of which relates to the history of Paris and its surroundings, and other general history and literary curiosity. The historical museum has, likewise, an almost exclusively Parisian. It keeps particularly large number of paintings, prints, ceramics, medals, referring to the revolutionary era.

The museum is located in the heart Marais. Composed of hundreds of rooms, we can see the archaeological remains as Neolithic pirogues, views and paintings of old Paris, models of neighborhoods, shops signs, decorative complexes from destroyed buildings (beautiful eighteenth woodwork, art nouveau shop), memories of famous men including bedroom furniture by Marcel Proust, testimonies of everyday life and a collection of objects and paintings on the Revolution not to be missed: Memories the Bastille, the royal family of objects trapped in the Temple. The museum also houses a collection of graphic arts - Collection of drawings, prints, photographs and posters - and a numismatic firm.

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Jean-Baptiste Lesueur

Carnavalet Museum preserves 73 of the 83 watercolors known Jean-Baptiste Lesueur, 40 are exposed by rotation.

The question of the function of these paintings on paper is not completely understood but it seems they have been used in a small theater, then a sort of private museum. This set of gouaches is a way of "newspaper" in images of the period 1789-1806. Because of its great accuracy of observation, this collection can easily track down the iconography of the Revolution, particularly as regards the sans-culottes, the army or the evolution of the costume. Interesting detail: small manuscripts are mostly post pictures and feelings generally reflect cons-revolutionaries, which is not the case for most images.

One of the most original aspects of this "report" is the attention paid to women. In a misogynistic happy Revolution, the look of Lesueur is usually full of sympathy. It does not limit itself to clichés (maternity), futile (elegance), or disparaging, but shows us the citizens in Revolution and gives us very rare representation of a woman soldier or women's club.

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http://ahrf.revues.org/1960
http://fr.wikipedia.org/wiki/Jean-Baptiste_Lesueur

For more information: http

: / / fr.wikipedia.org / wiki / Mus% C3% A9e_Carnavalet
http://www.linternaute.com/video/5337/le-musee-carnavalet-la-memoire-de-paris/
;
Two other videos:
http://www.ina.fr/art-et-culture/musees-et-expositions/video/PAC01017599/le-musee-carnavalet.fr.html
http:// www.ina.fr/art-et-culture/musees-et-expositions/video/PAC9603173412/reouverture-musee-carnavalet.fr.html

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THE LITTLE HOUSE THE GRAND PALACE

The Petit Palais was built by Charles Girault, at the same time that the Grand Palais, to host retrospective of French art during the Universal Exhibition of 1900. In 1902, he became the Museum of Fine Arts in Paris.

The Petit Palais has, over 22 000 m2, a complete artistic panorama, from antiquity to the twentieth century, and also organizes exhibitions. The works of the museum (45 000 1 300 listed which exposed) are of great diversity, ancient bronzes up French painting of the nineteenth century, through the majolica of the Renaissance, the seventeenth century Dutch painting, without forgetting the old prints and modern with Rembrandt, Schongauer, Dürer and Goya. Three different collections are the richness of the Petit Palais Dutuit collections of Greek art, Roman, Egyptian, works of art, tapestries, statues, books and ivories in the Middle Ages and the Renaissance but also of paintings Dutch and Flemish schools of the sixteenth and seventeenth centuries, French and Italian schools of the eighteenth century. It also discovers a set of furniture, tapestries and objets d'art of the seventeenth and eighteenth centuries belonging to Tuck collections. And finally, the municipal collections consist of works by French painters of the nineteenth century, Courbet, Degas, Cezanne, Bonnard, and objets d'art 1900.

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In November 1895, a competition was launched to create a new road linking the Esplanade des Invalides to the Champs-Elysees with the construction a new bridge, the Pont Alexandre III. The project envisages for the first time the destruction Palace of Industry, built along the Champs-Elysees for the Universal Exhibition of 1855, and in his place, the construction of two palaces. The winner, the architect Charles Girault (1851-1932), began work in autumn 1897, they will last two years.

Faced with the obligation to exhibit the works solely in the light of day, Girault multiplies the openings (huge windows, tall windows) allowing light to enter all afloat. He designed the Petit Palais in a plane trapezium comprising four buildings set around an interior garden semi-circular bordered by a colonnade. The main facade, punctuated by an Ionic colonnade, is distinctive for a massive central portico surmounted by a dome inspired by the Church of the Invalides. After the apotheosis of architecture promoted iron at the Exposition of 1889, Girault turns to more conventional academic aesthetics.

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For more information:

http://petitpalais.paris.fr/fr/le-petit-palais/un-lieu-une-histoire

http://fr.wikipedia.org/wiki/ Petit_Palais

http://www.ambafrance-gn.org/france_guinee/spip.php?article501

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The Grand Palais was built for the Universal Exhibition of 1900, he was part of an urban program that claimed to draw a perspective between the Champs-Elysees and the Hotel Invalides. It is recognizable by its large canopy covering the main hall.

command of the palace is quite complicated because it involves constructing a building of 68,000 square meters on a plane H, imposed by the Committee of the Exposition Universelle of 1900, intended to both the living room of Fine Arts exhibitions of agricultural machinery or horse shows. The architect Charles Girault, to whom we owe also the Petit Palais, is responsible for coordinating three other architects of the colossal achievement in the project: Deglane, Thomas and Louvet.

Deglane Henry designs the concourse and the main facade, a great classical colonnade 240 feet long, decorated with a colorful mosaic frieze which illustrates Art through the ages . Albert Thomas realizes the building facing the street on Franklin Roosevelt, the seat of the Palais de la Découverte. Albert Louvet establishes a beautiful iron staircase inspired by Art Nouveau. As for Charles Girault, it prints the whole its personal taste, including the design of large doors surmounted by quadriga angles in copper. These sculptures by George Récipon, represent the side of the Seine, Harmony of Discord triumphant and, near the Champs-Elysees, Immortality Time ahead.

The vast canopy of 14,900 square meters is based on a steel structure weighing 8,500 tons, more than the weight of the Eiffel Tower. The metal pillars that make up the frame supporting the great glass vault are designed entirely independent of outside walls in order to treat the covers with more freedom. Under the canopy, a gigantic ship of 200 meters in length on 50 meters wide and between 45 and 60 in height, which take place nowadays great art exhibits.

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For more information:
http://www.grandpalais.fr/fr/Accueil/p-93-Accueil.htm
http://fr.wikipedia.org/wiki/Grand_Palais_ (Paris)